Category: Poetic restraint

Creativity and Innovation Short Course Online

Owen speaking

Hello poets and readers,

If you’ve been following Poetry in Process and would like to delve further into some of the findings of this research, I’m running a short, intensive online course based on the findings of Poetry in Process called Creativity and Innovation, from the 27th-30th July. The course takes the form of four three-hour workshops over four days, and is run through the University of Canberra.

It highlights the following factors that have been found to contribute to innovation:

  • The need for physicality, play and movement
  • The importance of experiment, especially with different points of view, as a way of enhancing understanding and empathy
  • How using novel creative approaches, including collaboration, helps us generate creative ideas and tackle problems
  • The value of other disciplines and genres, and how creativity can become a way of managing diverse tasks

Details here.

Podcast: Alison Whittaker’s process

Alison Whittaker, pictured at Poetry on the Move 2019.
Photo by Kendall Kirkwood.

Hello poets and readers,

The logics of law and poetry boil meaning and power down to their barest components.

We’re delighted to be able to bring you an interview with Alison Whittaker, a Gomeroi poet and author of the collections Lemons in the Chicken Wire and Blakwork, shortlisted in the Prime Minister’s Literary Award for Poetry 2019.

An earlier blog post introduced Alison’s ideas about law and poetry and highlighted an experimental technique which makes use of trigrams – a device used in Google optimisation – to show us what the law considers important in a legal case. This technique is used in poems like ‘the skeleton of the common law’. She discusses these and other issues more fully here, and we’re proud to be able to share her insights with the world.

References

Alison Whittaker, Lemons in the Chicken Wire (Magabala Books, 2016)

Alison Whittaker, Blakwork. (Magabala Books, 2018)

Alison Whittaker is a Gomeroi multitasker from the floodplains of Gunnedah in NSW. Her debut poetry collection, Lemons in the Chicken Wire, was awarded the State Library of Queensland’s black&write! Indigenous Writing Fellowship in 2015, and was published by Magabala Books in 2016. Alison was co-winner of the Overland Judith Wright Poetry Prize in 2017 for her poem, ‘Many Girls White Linen’. Her latest book, Blakwork, was shortlisted in the Prime Minister’s Literary Award for Poetry in 2019.

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