Category: Embodied writing

Some thoughts on Merlinda Bobis’ process

Hello poets and readers,

In our recent podcast with poet Merlinda Bobis, she notes that consciousness of process comes about after the fact. While writing, she is too busy leaping from one thought to another to allow for this kind of reflection. Something captures her and makes a poem possible. She describes the initial impetus as an accident –her book title Accidents of Composition reflects this – the poem has to retain an element of surprise. The poem leads her, and further accidents happen as she writes, through associations; the poems seem to compose themselves. Analysing her own text, she remembers what gave rise to it, an act of contextualising how the work happened, and of looking at it as a reader. Even her return to poetry from the novel was accidental. Her writing often begins with strong images; sometimes she takes photos to use as prompts – the sense of ‘something else’ that is in the image becomes the poem.

Podcast: Merlinda Bobis’ process

Poetry – “Most of the time, it’s an accident of composition.”

Hello poets and readers,

We’re delighted to be able to bring you an interview with Filipino-Australian poet Merlinda Bobis. Bobis’ assertion that the writing of poetry is accidental is reflected in the title of her most recent collection Accidents of Composition (2017). Her poetry is characterised by a sense of universal connection with the natural world, reflected in the use of other voices and points of view, including the fishes and birds of the air. Writing is part of that whole, with art as natural an act as the world spinning (2017a, 65).

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