Hello poets and readers, How do we read a poem? Do we analyse it, interpret it, critique it, or just feel and experience our way through it? Multiple readings trouble the idea that we can master a text, but not its potential for openness. Lucinda McKnight, Ruby Todd and myself (all poet-researchers) decided to conduct…
Hello poets and readers, Our podcast with Gomeroi poet and lawyer Alison Whittaker was full of insights. We introduced the podcast by quoting her comment about the similarity between the law and poetry, in terms of reducing things to essentials: “The logics of law and poetry boil meaning and power down to their barest components.”…
Hello poets and readers, “The logics of law and poetry boil meaning and power down to their barest components.” We’re delighted to be able to bring you an interview with Alison Whittaker, a Gomeroi poet and author of the collections Lemons in the Chicken Wire and Blakwork, shortlisted in the Prime Minister’s Literary Award for…
Hello poets and readers, I recently revisited the text of UK poet Philip Gross’ keynote speech ‘Together in the Space Between: Collaboration as a Window on Creative Process’ given at the Poetry on the Move festival in 2015 and later published in Axon. Gross has had the advantage of a number of productive creative collaborations,…
Some thoughts on the process of Melinda Smith
Melinda Smith makes a lot of art. She is a poet willing to experiment, and, invariably, the experiments pay off. Whether with form, or seeking out incisive and vital new content, her work interrogates language and society. It’s reaped the rewards of recognition in the form of the Australian Prime Minister’s Literary Award for Poetry…
Poetry in Process 