Category: Melinda Smith

Alison Whittaker and law

Hello poets and readers,

I came across a fascinating interview with Indigenous poet Alison Whittaker in a recent issue of the Melbourne-based journal Rabbit. Whittaker is both a lawyer and a poet. She believes that poetry and law have much in common, since they both “litigate meaning and try to persuade people,” and both have rules and codes. They differ in their degree of formality, and Whittaker’s progress in both domains has become less about balancing and more about harmonising. This has resulted in the emergence of an intriguing process at work in some of her poetry.

Amy Lowell and the subconscious

Hello poets and readers,

One of the first pieces of writing I remember reading about process is Amy Lowell’s essay ‘The Process of Making Poetry’ (from a book originally published in 1930). Lowell was an early shaker in the Imagist movement, and experimented with lineation and what we now call prose poetry. She also wrote haiku and is anthologised in the recent Haiku in English: The First Hundred Years.

Found text manipulation by Melinda Smith

Hello poets and readers. Have you listened to the podcast with Melinda Smith yet? Don’t forget we’d love to hear any comments about what resonated with you. Today Poetry in Process is excited to bring you one of the found text poems Melinda referred to in the interview, about Ernie Ecob. Hope you enjoy it!

Ernie Ecob . . . was arguing against providing bathroom facilities in shearing sheds for female shearers because he said women only want to be shearers for the sex. My mind melted at the number of levels on which that was the weird and wrong thing to say. Melinda Smith

Poetry in Process Podcast, 28th February 2019

Ernie Ecob as a Bare-Bellied Yoe

Podcast: Melinda Smith’s process

Australian poet Melinda Smith discusses her writing process
in an interview with Owen Bullock.

Melinda Smith makes a lot of art. She is a poet willing to experiment, and, invariably, the experiments pay off. Whether with form, or seeking out incisive and vital new content, her work interrogates language and society. It’s reaped the rewards of recognition in the form of the Australian Prime Minister’s Literary Award for Poetry and in being viewed as a poet who balances openness and play with a concern for social justice.

We have a society . . . in which artists are free to do and say mostly what they like without being . . . thrown into jail for it, and we should celebrate that fact and use it to aspire to be a society in which there is a lot of art for everyone.

Melinda Smith

Poetry in Process Podcast, 28th February 2019
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