Have you read the Poetry in Process blogpost about Lisa Samuels and multiplicity yet? Don’t forget we’d love to hear any comments about what resonated with you. Today I am excited to bring you one of Lisa’s poems that experiments with sound as meaning and was featured in the Poetry New Zealand Yearbook. This is a revised version included in her latest collection Foreign Native (Black Radish Books, 2018). Hope you enjoy it!
People talk about the vanguard takes a turn its conscript energy acts on macro-particles as though you choose or Resolute you’re given mesh back to the deal your limbs eye dim harmonics rise for tiny ones Crash at you crash at me “give us a family look”
need to be able to inhabit the place of unknowing, in order to bring new
realisations, techniques, forms and processes into the known world. In an article
recently published in TEXT, ‘A New Suite: The Process of Knowing through Poetry’,
I highlight the fact that the noun ‘knowledge’ is unnecessarily
privileged in western writing, compared with the verb ‘knowing’, and emphasise
that knowing how to do something is the most important aspect of knowledge.
That knowing how to do something is what matters most is an idea found in
various forms in writers as diverse as Aristotle (the knowledge of how to make
things); William Carlos Williams (knowledge as ‘a living current’); Mark
Johnson (knowing as a process of inquiry); and Jen Webb (poets offering ‘new ways
of knowing and doing’). These are all descriptions of active states
characterised by the verb ‘to know’. But we don’t always know how to do
something until we’re doing it and working it out in process.
In an interview with transnational poet Lisa Samuels, she suggests that at the heart of her poetry and her process is a multiplicity of reference and background. When asked by interviewer Jack Ross, in the first issue of the revamped Poetry New Zealand Yearbook, which writers inspire her she answers in terms of categories, and says that she is as likely to be inspired by, “patterns, sounds, place histories, images, philosophy, statistics for a country’s fabric imports, dictionaries, encyclopedias, poetry, experimental drama, strange comics, physics hypotheses, theory, and manifestos,” as writers (41).